CAJ | 학술논문

现代美学不只是关于美和艺术的知识领域,同时也是现代精神自我确证的一个重要方面,其旨趣系于个人主体的正当性这个现代哲学的基本问题。鲍姆嘉通最初在理性主义体系里构想出一门准认识论性质的＂感性学＂;而后,康德在批判哲学范围内为之确立主体的根基,并赋予＂审美自律论＂以完整的哲学形式;席勒从康德的概念框架出发,将审美批判扩展至社会政治领域,提出一种＂审美乌托邦＂思想。现代美学早期的这段历史,显示了审美—艺术问题是如何被推向现代思想前沿的。
현대미학불지시관우미화예술적지식영역,동시야시현대정신자아학증적일개중요방면,기지취계우개인주체적정당성저개현대철학적기본문제。포모가통최초재이성주의체계리구상출일문준인식론성질적＂감성학＂;이후,강덕재비판철학범위내위지학립주체적근기,병부여＂심미자률론＂이완정적철학형식;석륵종강덕적개념광가출발,장심미비판확전지사회정치영역,제출일충＂심미오탁방＂사상。현대미학조기적저단역사,현시료심미—예술문제시여하피추향현대사상전연적。
Modern aesthetics is not only an academic domain on beauty and art,but also an important aspect of modern spiritual self.Its aim is related to the justice of individual subjects,the basic subject of modern philosophy.Initially Baumgarten made up ＂aesthetics＂in the system of idealism,and then Kant es-tablished the groundwork in the domain of critical philosophy and endowed ＂aesthetic self-discipline＂with a complete philosophic form.Schiller brought aesthetic criticism into the domain of social politics,putting forwad ＂aesthetic Utopia.＂ The early history of modern aesthetics shows how the issue of aesthetics and art has been pushed to the frontiers of modern thinking.