CAJ | 학술논문

考察20世纪20年代末兴起的＂革命与恋爱＂题材的创作可以看到,这一模式在男性作家笔下往往呈现为＂革命加爱情＂的诉求,而在女作家笔下则常具有＂革命减爱情＂的内核：在＂打破恋爱梦＂的文学书写中,性爱主题受到抑制和排斥,并表现出＂去女性化＂的审美特征;左翼女作家代表人物丁玲的创作也透露出＂革命减爱情＂的讯息,同时愈加＂有意识＂地体现着革命与爱情失衡、分裂乃至扭曲的＂现代性＂。此类书写中的性别内涵值得探讨。
고찰20세기20년대말흥기적＂혁명여연애＂제재적창작가이간도,저일모식재남성작가필하왕왕정현위＂혁명가애정＂적소구,이재녀작가필하칙상구유＂혁명감애정＂적내핵：재＂타파연애몽＂적문학서사중,성애주제수도억제화배척,병표현출＂거녀성화＂적심미특정;좌익녀작가대표인물정령적창작야투로출＂혁명감애정＂적신식,동시유가＂유의식＂지체현착혁명여애정실형、분렬내지뉴곡적＂현대성＂。차류서사중적성별내함치득탐토。
To investigate the literature theme of ＂revolution and love rising in the end of 1920s,we will find that this theme is often presented in the male writers works with ＂revolution plus love appeal,and in the women writers＇ works with ＂revolution reducing love＇ model.This sex theme had been suppressed and excluded in literary writing of ＂Breaking the Love Dream＂ and it also had the aesthetic characteristics ＂to get out of the feminine＂.Ding Ling as the representative of left - wing writer also revealed the message of ＂revolution reducing love＂,while even more ＂consciously reflected the unbalance,split and even distorted ＂modernity＇ between revolution and love.