CAJ | 학술논문

传统文论中的水意象批评主要体现在三个方面：一是以水为喻论述文艺的起源和发展;二是以水意象描述文艺创作中审美主体的修养、心态以及创作原则、方法等;三是借水的波光、颜色等形容文艺的不同风格及其鉴赏。水意象批评具有比喻意义和本体意义的双重意义。
전통문론중적수의상비평주요체현재삼개방면：일시이수위유논술문예적기원화발전;이시이수의상묘술문예창작중심미주체적수양、심태이급창작원칙、방법등;삼시차수적파광、안색등형용문예적불동풍격급기감상。수의상비평구유비유의의화본체의의적쌍중의의。
The criticism of water image in Chinese traditional literary theory lies in three aspects： first,discussing the origin and development of literature with water as a metaphor;second,describing the culture and mentality of the subject of aesthetic activity,as well as principles and methods in writing process as water;third,employing the glistening light,color,etc.of water to describe the different styles and appreciation of works.The criticism of water image contains both metaphoric meaning and ontological meaning.