CAJ | 학술논문

吴江叶氏三女叶纨纨、叶小纨、叶小鸾养育于晚明江南良好的戏曲生态之中。《牡丹亭》、《鸳鸯梦》、《钧天乐》三剧,或是其阅读对象,或为其搦管脚本,或出于后人敷衍附会之作,在不同层面展示了三女与戏曲颇多因缘。观此三剧,参互联系相关诗文背景,可知三女淡然于俗世情爱以及慕求山隐、浮生若梦之思,兼晓清初尤侗对叶小鸾的追慕和错描。
오강협씨삼녀협환환、협소환、협소란양육우만명강남량호적희곡생태지중。《모단정》、《원앙몽》、《균천악》삼극,혹시기열독대상,혹위기닉관각본,혹출우후인부연부회지작,재불동층면전시료삼녀여희곡파다인연。관차삼극,삼호련계상관시문배경,가지삼녀담연우속세정애이급모구산은、부생약몽지사,겸효청초우동대협소란적추모화착묘。
Ye Wanwan,Ye Xiaowan and Ye Xiaoluan,known as ＂the three talented women of the Ye family of Wujiang county＂,were born and grew up in a strong atmosphere of traditional Chinese opera.Concretely speaking,The Peony Pavilion was an opera read by them,Mandarin Ducks＇ Dream,written by one of them,while Jutian Yue,about the story of them.According to these three operas,together with other related poems and articles,we can find that the sisters showed an indifferent attitude towards earthly love,while they thought that life is but a dream and had a strong passion for hermit life on the other hand.We can also know Youtong＇s admiration towards Ye Xiaoluan and his wrong description of her in the play Juntian Yue.