西北大学学报:哲学社会科学版
西北大學學報:哲學社會科學版
서북대학학보:철학사회과학판
Journal of Northwest University(Philosophy and Social Sciences Edition)
2011年
1期
26~30
,共null页
中国古代美学 有味道的形式 亲体性 咸和性 品味性
中國古代美學 有味道的形式 親體性 鹹和性 品味性
중국고대미학 유미도적형식 친체성 함화성 품미성
ancient Chinese aesthetics; tasty form; "personal experience "; "all in harmony"; "tasting"
从身体出发的中国哲学不仅导致了中国古人对身体的生命欲望的积极肯定,而且也进而从"欲"到"食"、从"食"到"味"地使"味道"作为"原道"地位得以确定。把这一理解用于审美领域,则使我们得出了这样一个极其重要的结论,即:对于中国古人来说,美与其说是一种贝尔所谓的视觉化的"有意味的形式"(significant form),不如说是一种我们所谓的味觉化的"有味道的形式"(tasty form)。同时,这种作为"有味道的形式"的美,一如对味道本身的分析所示,其具有"亲体性"、"咸和性"以及"品味性"这三个主要理论特征。这些特征表明,与中国古老的大易之道一致,并与业已趋于唯心化的西方传统的美学理论迥然异趣,中国古代美学代表了人类文化中的一种更忠实于我们自身生命的,也更为原生态的美的理论。
從身體齣髮的中國哲學不僅導緻瞭中國古人對身體的生命欲望的積極肯定,而且也進而從"欲"到"食"、從"食"到"味"地使"味道"作為"原道"地位得以確定。把這一理解用于審美領域,則使我們得齣瞭這樣一箇極其重要的結論,即:對于中國古人來說,美與其說是一種貝爾所謂的視覺化的"有意味的形式"(significant form),不如說是一種我們所謂的味覺化的"有味道的形式"(tasty form)。同時,這種作為"有味道的形式"的美,一如對味道本身的分析所示,其具有"親體性"、"鹹和性"以及"品味性"這三箇主要理論特徵。這些特徵錶明,與中國古老的大易之道一緻,併與業已趨于唯心化的西方傳統的美學理論迥然異趣,中國古代美學代錶瞭人類文化中的一種更忠實于我們自身生命的,也更為原生態的美的理論。
종신체출발적중국철학불부도치료중국고인대신체적생명욕망적적겁긍정,이차야진이종"욕"도"식"、종"식"도"미"지사"미도"작위"원도"지위득이학정。파저일리해용우심미영역,칙사아문득출료저양일개겁기중요적결론,즉:대우중국고인래설,미여기설시일충패이소위적시각화적"유의미적형식"(significant form),불여설시일충아문소위적미각화적"유미도적형식"(tasty form)。동시,저충작위"유미도적형식"적미,일여대미도본신적분석소시,기구유"친체성"、"함화성"이급"품미성"저삼개주요이론특정。저사특정표명,여중국고로적대역지도일치,병여업이추우유심화적서방전통적미학이론형연이취,중국고대미학대표료인류문화중적일충경충실우아문자신생명적,야경위원생태적미적이론。
Setting out from the body,Chinese philosophy not only results in positive affirmation to the life desire of the body from the ancient Chinese People,but also makes the status of "flavor" as "original Tao" be determined further from the "desire" to "food" and then from "food" to "flavor".If we put this understanding into the domain of aesthetic,we can draw such an important conclusion that beauty is more a flavored "tasty form" than a vision of Bell's so-called "significant form".At the same time,this beauty as "tasty form" just like the analysis to "flavor" itself has three main theoretical features of " Personal experience ","All in harmony" and "Tasting".These features suggest that the Ancient Chinese Aesthetic which is consistent with "Tao of Big Yi" in ancient China but differs from the western tradition which has idealism tendency in aesthetical theory represents a kind of human culture which is more faithful to our own lives,and also represents a theory of more original ecological beauty.