CAJ | 학술논문

19世纪摄影术的发明,使机械复制的图像登上了舞台,并发展成为一门独立的艺术形式。自此影像和印刷术飞速发展并逐渐形成了强大的图像文化。架上绘画作为舶来的艺术样式总是以西方为参照,尤其在信息即时性传播的当下,文化艺术思潮无处不受到西方文化的影响。本文试图透视西方这只艺术＂标本＂,以图像的对架上绘画的影响为切入点进行个案的分析研究,进而在正视中国架上绘画所面临的困境中寻找其存在与发展的可能。
19세기섭영술적발명,사궤계복제적도상등상료무태,병발전성위일문독립적예술형식。자차영상화인쇄술비속발전병축점형성료강대적도상문화。가상회화작위박래적예술양식총시이서방위삼조,우기재신식즉시성전파적당하,문화예술사조무처불수도서방문화적영향。본문시도투시서방저지예술＂표본＂,이도상적대가상회화적영향위절입점진행개안적분석연구,진이재정시중국가상회화소면림적곤경중심조기존재여발전적가능。
After the invention of photography in the ninteenth century,machine-copied images appeared on the historical scene and has developed to an independent art genre.Since then the rapid development of images and printing formed an impressive image culture.Easel painting as the foreign art genre takes always the west as the reference.Especially today,the timecharacterized by immediate spread of information,the impact of western culture exists everywhere on art and culture.This paper seeks to penetrate the west,the art＂sample＂from the perspective of images＇impact to easel painting,to confront with the dilemma of easel painting in China and search for the possibility of development under such a situation.