CAJ | 학술논문

刘勰的《文心雕龙》是中国古代文论的不朽之作,爱默生的《论自然》被称为美国超验主义的宣言。虽然创作时代迥异,语言、文化背景截然不同,但两部作品均立足于道德关怀,着眼于广义的文学,不论在内容、思维方法还是语言技巧上都表现出惊人的相似之处,可谓殊途同归,不谋而合。本文以《文心雕龙》中的＂原道＂、＂物色＂与《论自然》中的＂美＂、＂语言＂四个章节为例,分析两位作者对自然与文学关系的论述,指出其文学观的共同之处在于肯定自然是人类文化的源泉。
류협적《문심조룡》시중국고대문론적불후지작,애묵생적《론자연》피칭위미국초험주의적선언。수연창작시대형이,어언、문화배경절연불동,단량부작품균립족우도덕관부,착안우엄의적문학,불론재내용、사유방법환시어언기교상도표현출량인적상사지처,가위수도동귀,불모이합。본문이《문심조룡》중적＂원도＂、＂물색＂여《론자연》중적＂미＂、＂어언＂사개장절위례,분석량위작자대자연여문학관계적논술,지출기문학관적공동지처재우긍정자연시인류문화적원천。
The Literary Mind and the Carving of Dragons by Liu Xie and Nature by Ralph Emerson are classics of Chinese and American literature.Although these works were written at different times and in different cultural backgrounds,both express strong moral concerns,approach literature in the broadest terms,and take social improvement as their objective.Because of this,the two works demonstrate striking similarities in content,methodology and even in writing style.Similarities between the two works are seen in discussions about the relationship between literature and nature.This paper compares and analyzes ideas about the relationship between literature and nature seen in ＂Beauty＂,＂Language＂,＂The Original Dao＂,and ＂Natural Beauty＂.It concludes that such similarities show that nature is the foundation of civilization.