敦煌研究
敦煌研究
돈황연구
Dunhuang Research
2011年
1期
21~29
,共null页
藏传金铜佛 喜金刚 大黑天 敦煌第465窟 汉藏关系
藏傳金銅彿 喜金剛 大黑天 敦煌第465窟 漢藏關繫
장전금동불 희금강 대흑천 돈황제465굴 한장관계
Tantric Gilt Bronze Buddhist Images; Havaira; Mahakala; Cave 465 MogaoGrottoes; Relationship between Han-Chinese and Tibetan
论文通过对武威博物馆藏的喜金刚与大黑天金铜造像特征及其背景的分析．并对照敦煌第465窟及相关造像义理与风格，否定了这组塑像制作于明代说，其制作之地极可能是在13世纪中期的西藏，并证实了它们在汉藏关系史上的重要意义：武威塑像似乎与萨迦班智达和八思巴有着密切关系，萨班极有可能在举行喜金刚坛城仪轨时使用过这组金铜佛像。
論文通過對武威博物館藏的喜金剛與大黑天金銅造像特徵及其揹景的分析．併對照敦煌第465窟及相關造像義理與風格，否定瞭這組塑像製作于明代說，其製作之地極可能是在13世紀中期的西藏，併證實瞭它們在漢藏關繫史上的重要意義：武威塑像似乎與薩迦班智達和八思巴有著密切關繫，薩班極有可能在舉行喜金剛罈城儀軌時使用過這組金銅彿像。
논문통과대무위박물관장적희금강여대흑천금동조상특정급기배경적분석．병대조돈황제465굴급상관조상의리여풍격，부정료저조소상제작우명대설，기제작지지겁가능시재13세기중기적서장，병증실료타문재한장관계사상적중요의의：무위소상사호여살가반지체화팔사파유착밀절관계，살반겁유가능재거행희금강단성의궤시사용과저조금동불상。
Having analyzed the iconographic features and social context of the gilt-bronze images of Havaira and Mahakala collected in Wuwei Museum, this article, making a comparison with the style and composition of murals of Cave 465 Mogao Grottoes, got a conclusion that the pair of statues seems to be produced in mid-thirteenth century＇s Tibet instead of it being made in the Ming Dynasty. The author thinks that the pair of statues have a very important meaning in the history of relationship between Han-Chinese and Tibetan, which appears to have a closer relation with Tibetan monk Sa-skya Pandita and ＇phags-pa. On which the author found a conjecture that Sa-skya Pandita had used them as Yi-dam deities at the Hevajra rituals.
