CAJ | 학술논문

顾名思义,华语电影意味着以华语进行对话、运用华人思维拍摄的电影,它在语言上、思想上通过汉语（而不是英语或者其他国别语言）进行艺术思维和艺术表达的特点决定了其在深层的文化观念与价值取向上的中华民族特征。沿着这条思路,本文选取了中国诗论中最古老最核心的概念＂诗言志＂,运用言志诗学理论观照百年华语电影的审美倾向,将其划分为三个重要阶段,即古典言志诗学时期、现代言志诗学时期与伪言志诗学时期,从而为华语电影的美学表现形态与未来发展之路寻找到它的传统之根。
고명사의,화어전영의미착이화어진행대화、운용화인사유박섭적전영,타재어언상、사상상통과한어（이불시영어혹자기타국별어언）진행예술사유화예술표체적특점결정료기재심층적문화관념여개치취향상적중화민족특정。연착저조사로,본문선취료중국시론중최고로최핵심적개념＂시언지＂,운용언지시학이론관조백년화어전영적심미경향,장기화분위삼개중요계단,즉고전언지시학시기、현대언지시학시기여위언지시학시기,종이위화어전영적미학표현형태여미래발전지로심조도타적전통지근。
As the name implies, Chinese language films are films produced in Chinese language and in the Chinese way of thinking. Although film is a technology product from the West, the way of thinking in the Chinese language identifies the Chinese-language films to be the feature of the deep cultural ideas and values of the Chinese nation. Through the theory of ideal poetics, century Chinese-language films will be divided into three important stages, namely the Poetics of classical ideal, the Poetics of modernism ideal and the Poetics of postmodernism ideal which is a way to find the root of Chinese-language films for the future development.