CAJ | 학술논문

利用《点石斋画报》进行文化史研究,可以揭示新文化史研究法中的文本分析法、文本交互分析法、跨文本分析法等方法对媒体研究的重要性,以及文本和语境分析的结合对解释各种论述间的矛盾和不一致所提供的裨助。前人对《点石斋画报》的研究中所存在的暧昧和吊诡,在一定程度上也是画报文本的复杂性和图文间的张力等问题的反映。作为晚清出现的一种新式媒体,《点石斋画报》无疑展示了视觉的现代性。即使画师要配合文字撰述者来＂借书画为劝惩＂,整体而言,画报文本还是吊诡地兼具教化目的与颠覆潜力。在完整的检索系统支持下,对《点石斋画报》的全文本研究,有助于图文文本的交互分析;而进一步将《点石斋画报》与其他后起的画报对照比较以作跨文本研究,则可显出前者的特性在于它捕捉了新闻大众化前夕和大变迅即来临的境况。结合文本分析和语境分析来探究《点石斋画报》及其时代和社会背景,以揭示历史的文本性和文本的历史性,当可窥见画报如何反映和表述19、20世纪之交处于现代转变边缘的中国对现代性的迎拒挣扎。在探讨转型期中国的图文诠释时,我们也看到随现代性而来的各种问题。
이용《점석재화보》진행문화사연구,가이게시신문화사연구법중적문본분석법、문본교호분석법、과문본분석법등방법대매체연구적중요성,이급문본화어경분석적결합대해석각충논술간적모순화불일치소제공적비조。전인대《점석재화보》적연구중소존재적애매화조궤,재일정정도상야시화보문본적복잡성화도문간적장력등문제적반영。작위만청출현적일충신식매체,《점석재화보》무의전시료시각적현대성。즉사화사요배합문자찬술자래＂차서화위권징＂,정체이언,화보문본환시조궤지겸구교화목적여전복잠력。재완정적검색계통지지하,대《점석재화보》적전문본연구,유조우도문문본적교호분석;이진일보장《점석재화보》여기타후기적화보대조비교이작과문본연구,칙가현출전자적특성재우타포착료신문대음화전석화대변신즉래림적경황。결합문본분석화어경분석래탐구《점석재화보》급기시대화사회배경,이게시역사적문본성화문본적역사성,당가규견화보여하반영화표술19、20세기지교처우현대전변변연적중국대현대성적영거쟁찰。재탐토전형기중국적도문전석시,아문야간도수현대성이래적각충문제。
The Dianshizhai Pictorial,as a new medium emerged in the late Qing,embodied the modernity of visuality. Its content inundated with novel and strange things had the most shocking power.When the textuality of history and the historicity of text are brought to light by combining textual and contextual analyses in the exploration of the Dianshizhai Pictorial and its socio-historical background,we may realize better how the pictorial reflected and re - presented China s struggle between welcoming and resisting modernity at the turn of the 19th and 20th centuries when the nation was on the verge of modern changes.In studying the pictorial and literary interpretations of China in transformation,we may also perceive the problems that came along with modernity.All these phenomena and their revelation historical significance are yet to be deliberated in depth and studied in detail.