CAJ | 학술논문

老庄哲学本意并非论艺术技巧,而是论＂道＂。＂道＂是他们为实现现实生活中不能实现的自由而找到的一种实现精神自由的方式。先秦学术文、史、哲不分,老庄的艺术技巧理论就融汇于其道学思想,其本体是其哲学范畴之＂道＂向艺术层面的演化。老庄没有直接论艺术技巧,但其道学处处展示着如何实现自由的技巧和方法,对文艺创作技巧产生直接影响,甚至相通。＂道＂之＂无＂的特性揭示了艺术技巧的本质与表现形态;通过无目的而达到目的技术创造论阐发了艺术创作主体理论,触及了艺术技巧的实质;＂道＂的社会实践性理论阐发了艺术技巧的社会实践基础,并论述了背道的艺术技巧反面存在。因此老庄的＂道＂技论也就演变成了艺术技巧论。
로장철학본의병비론예술기교,이시론＂도＂。＂도＂시타문위실현현실생활중불능실현적자유이조도적일충실현정신자유적방식。선진학술문、사、철불분,로장적예술기교이론취융회우기도학사상,기본체시기철학범주지＂도＂향예술층면적연화。로장몰유직접론예술기교,단기도학처처전시착여하실현자유적기교화방법,대문예창작기교산생직접영향,심지상통。＂도＂지＂무＂적특성게시료예술기교적본질여표현형태;통과무목적이체도목적기술창조론천발료예술창작주체이론,촉급료예술기교적실질;＂도＂적사회실천성이론천발료예술기교적사회실천기출,병논술료배도적예술기교반면존재。인차로장적＂도＂기론야취연변성료예술기교론。
Taoist philosophy argues ＂Tao＂ rather than artistic skills.＂Tao＂ is a way for them to realize spiritual freedom that they can not be achieved in real life.Taoist theory of the artistic skills integrate its Taoist thought.It is a reflection and extension from philosophical category of the ＂Tao＂ to the artistic level.Laozhuang doesn＇t discuss directly artistic skills,but there are many skills and methods of literary skills to achieve freedom everywhere to create a direct impact even connected.＂Tao＂ reveals nature of artistic skills.Technical creation explains the man theory of artistic creation,and touches the essence of artistic skills.＂Tao＂ theory expounds the social practice of art techniques based on social practice.Body of ＂Tao＂ practical theory elucidates that artistic skills are based on social practice.Laozhuang＇s ＂Tao＂ becomes the artistic skills theory.