CAJ | 학술논문

＂作意好奇＂揭示了唐传奇作家主体意识的觉醒,反映了小说创作中引进想象、虚构等文学手段来布置符号、事件,以从中获得幻想的乐趣为意指,最终达到文本奇幻的阅读效果。唐传奇叙述中时间反差模式的运用集中反映了其＂作意好奇＂的特点,而《柳毅传》中的不同生命体的时间反差作为唐传奇中最为奇特的一类时间反差模式更是对＂作意好奇＂的内涵进行了全面的诠释。
＂작의호기＂게시료당전기작가주체의식적각성,반영료소설창작중인진상상、허구등문학수단래포치부호、사건,이종중획득환상적악취위의지,최종체도문본기환적열독효과。당전기서술중시간반차모식적운용집중반영료기＂작의호기＂적특점,이《류의전》중적불동생명체적시간반차작위당전기중최위기특적일류시간반차모식경시대＂작의호기＂적내함진행료전면적전석。
＂Zuoyihaoqi＂ exposed the awakening of subjectival consciousness of the writers in Tang Dynasty.It reflected that devices as imagination and fiction were brought into novel creation to set symbols and events,to gain pleasure of fantasy,and eventually,to achieve the fantastic textual reading comprehension.In narration of Tang legend,the usage of time-contrast pattern mainly represented the feature of ＂Zuoyihaoqi＂.Especially,the time-contrast pattern of different individuals in The Story of Liuyi,which was considered as the most extraordinary pattern,was an overall interpretation for the meaning of ＂Zuoyihaoqi＂.