CAJ | 학술논문

在初始时期＂乐＂主要以＂祭祀乐＂的形态呈现,抒发的是一种宗教情感。随着文化氛围与社会环境的改变,＂乐＂更多的以＂礼乐一体＂的面貌存在。为了保持＂乐＂的独立性并提升其价值,儒家在＂制礼作乐＂的基础上将＂祭祀乐＂转化为更符合时代需求的＂雅乐＂,＂乐＂便与社会伦理、道德教育紧密相连,体现出儒家＂乐教＂理性与神性杂糅的特点。
재초시시기＂악＂주요이＂제사악＂적형태정현,서발적시일충종교정감。수착문화분위여사회배경적개변,＂악＂경다적이＂례악일체＂적면모존재。위료보지＂악＂적독립성병제승기개치,유가재＂제례작악＂적기출상장＂제사악＂전화위경부합시대수구적＂아악＂,＂악＂편여사회윤리、도덕교육긴밀상련,체현출유가＂악교＂이성여신성잡유적특점。
Confucian school in pre-Qin dynasty held that Music originates sacrifice ceremony was presented as Sacrifice Music at the beginning,and expressed a kind of religional emotion.With the changing of culture atmosphere and social environment,Music exists more as a form of Combining Li and Music.In order to keep the independency of Music and improve its value,Confucian school transformed Sacrifice Music into Elegent Music which meets more the need of the time based on Making Li and Playing Music,thus,Music was connected to social moral principles and moral education,which shows a character of combining the rationality and divinity in Musical Education.