CAJ | 학술논문

中国绘画史的发展已经证明，“文学性”对绘画的创作与发展一直存在着一种潜移默化的影响。基于叙事、描述、想象、虚构、隐喻等文学模式的“文学性”与基于技术、材料、形式，非预设性、直觉、无意识、即兴想象等范畴的“绘画性”之间存在莆显著的差异。这一差异不仅是作为门类的“文学”与“绘画”之间的最大差异．而且是绘画借助“文学性”这一文学表达模式的优势来发眨自身的重要予段。该文从文学与绘画的潜在关系入手，从“文学性”向绘画领域的蔓延，科学认识“文学性”和“绘画性”这两个“种差”对于界定文学与绘画夺质的意义，“文学性”与“绘画性”在中外绘画史上的相互博弃现象，鲁迅先生倡导的“新兴版画运动”融两者之长的探索价值以及对当下绘画创作的启示诸方面来对这一问题展开探究。
중국회화사적발전이경증명，“문학성”대회화적창작여발전일직존재착일충잠이묵화적영향。기우서사、묘술、상상、허구、은유등문학모식적“문학성”여기우기술、재료、형식，비예설성、직각、무의식、즉흥상상등범주적“회화성”지간존재보현저적차이。저일차이불부시작위문류적“문학”여“회화”지간적최대차이．이차시회화차조“문학성”저일문학표체모식적우세래발잡자신적중요여단。해문종문학여회화적잠재관계입수，종“문학성”향회화영역적만연，과학인식“문학성”화“회화성”저량개“충차”대우계정문학여회화탈질적의의，“문학성”여“회화성”재중외회화사상적상호박기현상，로신선생창도적“신흥판화운동”융량자지장적탐색개치이급대당하회화창작적계시제방면래대저일문제전개탐구。
One of the marked characteristics in the history of Chinese arts is the ＂quality of picture＂ under Literary influence. ＂Quality of I.iterature＂ is abstracted from literary work＇s character of narrative,depiction,imagination and metaphor,but the ＂quality of picture＂ is abstracted from instinction and subconsciousness. These two qualities are surely different,however fine arts are influenced and benefited much from the ＂Quality of I.iterature＂. This article cites the ＂New Woodcut Movement＂ initiated by Lu Xun as an example to conduct a study on the following three aspects.a comparison of the nature between art and literature, the transforming of European woodcut into Chinese style,and the inspiration for ＂the New Woodcut Movement＂ on cotemporary art.