CAJ | 학술논문

清代闺秀的诗论，是中国文学批评史研究的一个盲点。而女性诗论和论女性诗，是清代文学批评富有特色的新内容。此期女性在明清思潮的影响下，采用重释儒家文化的策略，突破“女子无才便是德”观念的束缚，确证闺秀诗歌的合法性，张扬女子创作的积极意义。而我们也应看到，清代女性诗论的一个独特现象，是依然羁縻于“四德”之下，以“德”正“才”，敛“才”以合“德”；论诗高标合乎“风人之旨”、“温柔敦厚”等原则，尊奉儒家诗教，体现出比男性论者更为严格的道德自律性。尽管一些女性论者参与了清代主流诗学关于“性灵”和“学问”等核心问题的讨论，但较为普遍地存在着对“脂粉气”的有意规避，体现出在主流诗学中，女性的身份特征是遭否定的，女性论者的意识中也存在自我身份否定的现象。在晚近时期，这一现象出现转机。
청대규수적시론，시중국문학비평사연구적일개맹점。이녀성시론화론녀성시，시청대문학비평부유특색적신내용。차기녀성재명청사조적영향하，채용중석유가문화적책략，돌파“녀자무재편시덕”관념적속박，학증규수시가적합법성，장양녀자창작적적겁의의。이아문야응간도，청대녀성시론적일개독특현상，시의연기미우“사덕”지하，이“덕”정“재”，렴“재”이합“덕”；론시고표합호“풍인지지”、“온유돈후”등원칙，존봉유가시교，체현출비남성론자경위엄격적도덕자률성。진관일사녀성론자삼여료청대주류시학관우“성령”화“학문”등핵심문제적토론，단교위보편지존재착대“지분기”적유의규피，체현출재주류시학중，녀성적신빈특정시조부정적，녀성론자적의식중야존재자아신빈부정적현상。재만근시기，저일현상출현전궤。
Women＇s poetics in Qing Dynasty is one of the blind spots in the study field of Chinese ancient literary theory. But actually, it is a new important development in the history of Chinese ancient literary theory. Influenced by the new thoughts, some women critics reexplained the Confucious culture on woman literature, broke through the spiritual imprison that limited women＇s literary talents, legitimated the women＇s writing. Yet they could not thoroughly give up the severe conventional morality, their poetics showed the high moral self-diseiline, avoided revealing their special gender identity in their poetry. Some women critics participated in the discussions on the basic poetic ideas,and made some changes in women poetics in late Qing Dynasty.