CAJ | 학술논문

王尔德是19世纪末唯美主义的代表人物，“为艺术而是艺术”是其理论口号和创作实践的目标，但其理论与实践、理论与理论之间的矛盾性一直受到学界争议，通过对王尔德在创作中对现实性及虚构性的双重实践和对艺术审美价值及道德价值的双重追求的浅析，力图展现一个复杂而多元的唯美主义者。
왕이덕시19세기말유미주의적대표인물，“위예술이시예술”시기이론구호화창작실천적목표，단기이론여실천、이론여이론지간적모순성일직수도학계쟁의，통과대왕이덕재창작중대현실성급허구성적쌍중실천화대예술심미개치급도덕개치적쌍중추구적천석，력도전현일개복잡이다원적유미주의자。
Oscar Wilde is the representative figure of aestheticism at the end of the 19th century, ＂art for art＇s sake ＂ is his theoretical slogans and creation practice target. But the contradiction between his theory and practice, and the contradiction between the theories have been controversial among the scholar circles. Through the simple analysis of Wilde＇s dual practice of reality and fictionalization, and the double pursuit of aesthetic value and moral value of art in his creation, this article tries to present a complex and diverse aesthete .