CAJ | 학술논문

在近代音乐发展过程中,传统品格在西洋乐制的参照系里日渐模糊。无论演出、教育还是音乐思想,均突破传统框架,向体制化与专业化发展。许多音乐理论家在看待音乐活动本身时,也在向着西方音乐活动的内涵与价值观求取评判标准。对这种＂传统丧失＂的考察,可从范畴的变化切入,特别是＂音乐＂范畴本身。所以,观察＂音乐＂范畴内涵、特别是＂音＂的地位的降格,便可在具体个案的意义上看出,在本民族文化范式发生剧变的历史交叉点上,传统的身影是如何远去的。
재근대음악발전과정중,전통품격재서양악제적삼조계리일점모호。무론연출、교육환시음악사상,균돌파전통광가,향체제화여전업화발전。허다음악이론가재간대음악활동본신시,야재향착서방음악활동적내함여개치관구취평판표준。대저충＂전통상실＂적고찰,가종범주적변화절입,특별시＂음악＂범주본신。소이,관찰＂음악＂범주내함、특별시＂음＂적지위적강격,편가재구체개안적의의상간출,재본민족문화범식발생극변적역사교차점상,전통적신영시여하원거적。
During the development ofmodern musical thoughts,classical character seemed in-creasingly fuzzy in view of western musical system.Beyond classical frame,theshows,the educations and the thoughts became more systematical and professionalthan before.Numbers of music theorists resorted to western musical standardswhen studying music itself.From perspective of concepts,especially the concept of＂yinyue＂itself,the withdrawal of classical dimension could be studied effectively.As a result,from the case of downgrade of concept＂yin,＂ we could find how theclassical dimension yielded at the critical moment when local cultural type changeddrastically.