北京舞蹈学院学报
北京舞蹈學院學報
북경무도학원학보
Journal of Beijing Dance Academy
2011年
3期
1~5
,共null页
人自体 身心一元论 意识的肢体表现
人自體 身心一元論 意識的肢體錶現
인자체 신심일원론 의식적지체표현
human self; monism of body and mind; physical expression of consciousness
舞蹈作为一种真正的人体艺术,人体是它的感性材料。它的一切特性均来自此,而遭到的误解也因对此认识不足。站在其他艺术的立场看舞蹈,它的诸多特性成了它的缺欠。舞蹈的人体包括身心在内是一个完整的统一体,那些对舞蹈产生误解的人,包括那些大哲学家们亦浅尝辄止地停留在人的躯壳上而忽视了人的灵魂的存在。事实是,舞蹈艺术自产生以来就受着人的意识的支配,这是人区别于动物的本质所在,也是我们认识舞蹈与舞蹈美的逻辑起点。用这样的认识,我们便可借黑格尔"美或艺术是理念的感性显现"的逻辑,把舞蹈美与舞蹈表述为"舞蹈是意识的肢体表现"。
舞蹈作為一種真正的人體藝術,人體是它的感性材料。它的一切特性均來自此,而遭到的誤解也因對此認識不足。站在其他藝術的立場看舞蹈,它的諸多特性成瞭它的缺欠。舞蹈的人體包括身心在內是一箇完整的統一體,那些對舞蹈產生誤解的人,包括那些大哲學傢們亦淺嘗輒止地停留在人的軀殼上而忽視瞭人的靈魂的存在。事實是,舞蹈藝術自產生以來就受著人的意識的支配,這是人區彆于動物的本質所在,也是我們認識舞蹈與舞蹈美的邏輯起點。用這樣的認識,我們便可藉黑格爾"美或藝術是理唸的感性顯現"的邏輯,把舞蹈美與舞蹈錶述為"舞蹈是意識的肢體錶現"。
무도작위일충진정적인체예술,인체시타적감성재료。타적일절특성균래자차,이조도적오해야인대차인식불족。참재기타예술적립장간무도,타적제다특성성료타적결흠。무도적인체포괄신심재내시일개완정적통일체,나사대무도산생오해적인,포괄나사대철학가문역천상첩지지정류재인적구각상이홀시료인적령혼적존재。사실시,무도예술자산생이래취수착인적의식적지배,저시인구별우동물적본질소재,야시아문인식무도여무도미적라집기점。용저양적인식,아문편가차흑격이"미혹예술시이념적감성현현"적라집,파무도미여무도표술위"무도시의식적지체표현"。
Dance is considered as a real art of human body,which is its perceptual materials and from which all other characteristics derive. Yet it is also where misunderstanding arises. If dance is examined from other artistic perspectives,many characteristics of dance become its drawbacks. Dancing body,including body and mind,constitutes a complete system of unity. Those who misunderstood dance,including those great philosophers placed much emphasis on the body while abandoning the soul of human. In fact,dance as an art has always been dominated by human consciousness since its advent. This is the essential difference between man and animal,and also is the logical starting point where we understand dance and ance aesthetics. While Hegel once said "Artistic beauty or art is the sensible appearance of idea",the author believes that the beauty of dance and dance as an art should be considered as "physical expression of consciousness".