CAJ | 학술논문

帕慕克有多种便利条件调用视觉这一手段在作品中张扬其文学个性,但他用＂失明＂完成了对当下视觉产品极度发达的时代的背离,坚定地表明自己的美学立场———对视觉的拒斥;帕慕克更能调用各类视觉元素,如颜色、照片等来构建自己的文学世界,但他放弃了丰富多彩的颜色,而只用黑、白两色作为这个世界的底色。帕慕克对视觉美学的有意违反,正是对＂视觉中心＂时代的视觉美学的一次反拨,殊有意味。
파모극유다충편리조건조용시각저일수단재작품중장양기문학개성,단타용＂실명＂완성료대당하시각산품겁도발체적시대적배리,견정지표명자기적미학립장———대시각적거척;파모극경능조용각류시각원소,여안색、조편등래구건자기적문학세계,단타방기료봉부다채적안색,이지용흑、백량색작위저개세계적저색。파모극대시각미학적유의위반,정시대＂시각중심＂시대적시각미학적일차반발,수유의미。
There are many facilities helping Pamuk to use visual means to publicize his literary personality.But he uses ＂blindness＂ to complete the deviation from the visual products of the present age extremely developed,which indicates his own esthetics standpoint firmly-the rejection of the visual.Pamuk uses all kinds of visual elements,such as color,photos etc.to build his own literary world,but he abandoned the color of the rich,and used black and white color as the background of this world.Pamuk＇s intention to breach the visual aesthetics,is just a backwash to visual aesthetics of ＂visual centre＂ era.