山东大学学报：哲学社会科学版
山東大學學報：哲學社會科學版
산동대학학보：철학사회과학판
Journal of Shandong University(Philosophy and Social Sciences)
2011年
6期
121~125
,共null页
《吕氏春秋》 《乐记》 音乐发生学 “中和之美” 音乐教化
《呂氏春鞦》 《樂記》 音樂髮生學 “中和之美” 音樂教化
《려씨춘추》 《악기》 음악발생학 “중화지미” 음악교화
Lue＇ s Spring and Autumn Annal; Yueji ; musical embryology ; the beauty of harmony; educational function of music
《吕氏春秋》与《乐记》在音乐发生学、中和之美和音乐教化等方面存在诸多相同或相通之处。关于音乐发生学，二者都认为乐是由人心产生的，人的心里有所感受，就会在音乐中表现出来，音乐表现于外而能够化育于内；关于中和之美，《吕氏春秋》把“和”视为“乐之本”，《乐记》则从天地之和阐释音乐之和的作用，二者都倡导音乐的中和之美；关于音乐的教化作用，《吕氏春秋》和《乐记》都认为乐的美以善为前提，都认为乐与政通，应该发挥音乐的教化作用。
《呂氏春鞦》與《樂記》在音樂髮生學、中和之美和音樂教化等方麵存在諸多相同或相通之處。關于音樂髮生學，二者都認為樂是由人心產生的，人的心裏有所感受，就會在音樂中錶現齣來，音樂錶現于外而能夠化育于內；關于中和之美，《呂氏春鞦》把“和”視為“樂之本”，《樂記》則從天地之和闡釋音樂之和的作用，二者都倡導音樂的中和之美；關于音樂的教化作用，《呂氏春鞦》和《樂記》都認為樂的美以善為前提，都認為樂與政通，應該髮揮音樂的教化作用。
《려씨춘추》여《악기》재음악발생학、중화지미화음악교화등방면존재제다상동혹상통지처。관우음악발생학，이자도인위악시유인심산생적，인적심리유소감수，취회재음악중표현출래，음악표현우외이능구화육우내；관우중화지미，《려씨춘추》파“화”시위“악지본”，《악기》칙종천지지화천석음악지화적작용，이자도창도음악적중화지미；관우음악적교화작용，《려씨춘추》화《악기》도인위악적미이선위전제，도인위악여정통，응해발휘음악적교화작용。
This paper examines the views of music aesthetics in Lue＇ s Spring and Autumn Annals and Yueji, and identifies the similarities of the two books in musical embryology, the beauty of harmony as well as the educational function of music. In terms of musical embryology, the two books hold that music comes from people＇ s inner heart and expresses human feelings. Music depicts the outside world and cultivates human thought and emotions. In terms of music＇ s power to harmonize, Lue＇s Spring and Autumn Annalsregards ＂harmony＂ as the ＂soul of the music＂ while Yueji discusses music＇ s role in the context of the harmony between heaven and earth. Both books advocate harmony in music. In terms of educational function of music, the two books both argue that precondition of musical beauty is goodness. Moreover, both maintain that music is closely connected with politics and should be given full play in political education.
