陕西师范大学学报:哲学社会科学版
陝西師範大學學報:哲學社會科學版
협서사범대학학보:철학사회과학판
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
2011年
6期
120~125
,共null页
汉代艺术 铜镜 图像学 三段式神像镜
漢代藝術 銅鏡 圖像學 三段式神像鏡
한대예술 동경 도상학 삼단식신상경
art in the Han Dynasty; bronze mirror; iconology; the Three-phase Goddess Portrait Mirror
汉代出现的一种特殊画像镜(三段式神像镜)的主神是女像,既不是天皇,也不是道教的偶像老子,而是与生育相关的女神,或为女娲。三段式的图像结构分别对应于天地秩序、神仙、古代圣贤,可视作铜镜的使用者们(妇女)对生命的核心期待:决定她们一生幸福的关键点———嫁人、生育、长生不老。
漢代齣現的一種特殊畫像鏡(三段式神像鏡)的主神是女像,既不是天皇,也不是道教的偶像老子,而是與生育相關的女神,或為女媧。三段式的圖像結構分彆對應于天地秩序、神仙、古代聖賢,可視作銅鏡的使用者們(婦女)對生命的覈心期待:決定她們一生倖福的關鍵點———嫁人、生育、長生不老。
한대출현적일충특수화상경(삼단식신상경)적주신시녀상,기불시천황,야불시도교적우상노자,이시여생육상관적녀신,혹위녀왜。삼단식적도상결구분별대응우천지질서、신선、고대골현,가시작동경적사용자문(부녀)대생명적핵심기대:결정저문일생행복적관건점———가인、생육、장생불로。
A special portrait mirror,"three-phase goddess portrait mirror",appeared in the Han Dynasty.The portrait in the mirror was not the Heavenly Emperor nor Laozi,the idol of Taoism,but a goddess,who was said to be concerned with baby-birth,or more exactly Nue Wa,a creation goddess in Chinese mythology.The structure of the portrait in the mirror consisted of three phases,respectively corresponding to the order of the world,the deities and the sages in ancient times,which could be regarded as the key concern of mirror users.In other words,these images represented the crucial points of life happiness of Chinese women,that is,marriage,birth-giving and longevity.