CAJ | 학술논문

“儿女情多，风云气少”与“使气飞动”分别是钟嵘对张华部分诗歌与元兢对王融诗歌“霜气下孟津”的评语。通过对所评之诗的对比，可以看出，在诗歌创作中，文气对文情有着重要的影响。虽然气有人气与文气的分别，但二者在内涵上有着最终追求的一致性，而且可以实现对情感抒发的引领与超越，使抒情脱离宣泄与绮靡。所以在文学创作中，应该主动追求气的涵养，并援气入情，做到情与气的互补互化。
“인녀정다，풍운기소”여“사기비동”분별시종영대장화부분시가여원긍대왕융시가“상기하맹진”적평어。통과대소평지시적대비，가이간출，재시가창작중，문기대문정유착중요적영향。수연기유인기여문기적분별，단이자재내함상유착최종추구적일치성，이차가이실현대정감서발적인령여초월，사서정탈리선설여기미。소이재문학창작중，응해주동추구기적함양，병원기입정，주도정여기적호보호화。
＂Sufficient in affection, but lacking by Zhong Rong on Zhanghua＇ s poems, and Mengjin＂. Through the comparison between the in Qi ＂ and ＂letting fly the Qi＂ are respectively the comment that by Yuan Jing on Wang Rong＇ s poem ＂ Frost Covers two commented poems, what may be inferred is that Qi bears an enormously significant influence on emotion. There are human Qi （breath） and literary Qi （train of thoughts in creative writing）, but, as their connotations show, there is consistency in their ultimate pursuit. Qi will help to guide and transcend the expression of feelings, keeping it from mere venting and pomposity. Therefore, in literary writing, enough attention is to be paid to the pursuit of Qi , and a combination of Qi and emotion will certainly complement each other.