CAJ | 학술논문

丁玲1979年复出前后,正是新旧文学体制更替的历史转型期,在她对《在严寒的日子里》的叙事策略不断进行调整的过程中,表现出＂新时期＂前夜的复杂状况以及创作主体的内在矛盾、思想困惑与文化尴尬。笔者以1956年在《人民文学》杂志发表的8章（以下简称＂初本＂）和1979年发表在《清明》杂志上的重写的24章（包括重写的8章,简称＂改本＂）为研究对象,通过版本的变迁和叙事学比较,探析复杂的权力关系对文学生产及文学史叙述的重大影响。
정령1979년복출전후,정시신구문학체제경체적역사전형기,재저대《재엄한적일자리》적서사책략불단진행조정적과정중,표현출＂신시기＂전야적복잡상황이급창작주체적내재모순、사상곤혹여문화감개。필자이1956년재《인민문학》잡지발표적8장（이하간칭＂초본＂）화1979년발표재《청명》잡지상적중사적24장（포괄중사적8장,간칭＂개본＂）위연구대상,통과판본적변천화서사학비교,탐석복잡적권력관계대문학생산급문학사서술적중대영향。
The time around 1976 when DING Ling returned to the literary world was the very historical transition period of the old literary systems giving way to the new one.In the process that she constantly adjusted the narrative strategy of In The Old Days emerged the complex state of the eve of the ＂New Period＂ and the internal contradictions,the ideological confusion and the cultural embarrassment of creation subject.Taking the original version of 8 chapters published in People＇s Literature in 1956 and the modified version of 24 chapters（including 8 rewritten chapters） published in Qing Ming in 1979 for research objectives,the author makes a probe into the great impact of complex power relations on literary production and on the account of literary history through the comparison made between version changes and narrative studies.