CAJ | 학술논문

《儿子与情人》是劳伦斯推出的第一部长篇小说，但已涉及作者一生的创作中几乎全部的主题思想，标志其创作成熟期的到来。作者直接将其批判的矛头指向了表面极其繁荣鼎盛的工业社会最深处的脆弱心脏，即所谓文明对人的异化，从而破坏和摧残本应和谐美好的两性关系乃至更广义的人与人、人与社会的正常关系。尽管在这种痛苦的求索中，作者有过彷徨，有过逃避，走过极端甚至偏离过理性，并且每一次探索都以失败而告终，但他毕竟给我们留下了更深的思考和更多的希望。
《인자여정인》시로륜사추출적제일부장편소설，단이섭급작자일생적창작중궤호전부적주제사상，표지기창작성숙기적도래。작자직접장기비판적모두지향료표면겁기번영정성적공업사회최심처적취약심장，즉소위문명대인적이화，종이파배화최잔본응화해미호적량성관계내지경엄의적인여인、인여사회적정상관계。진관재저충통고적구색중，작자유과방황，유과도피，주과겁단심지편리과이성，병차매일차탐색도이실패이고종，단타필경급아문류하료경심적사고화경다적희망。
Sons and Lovers, the first magnum opus by Lawrence, sets the tones for literally all the motifs covered in his later novels, which signifies the coming of his mature works. The most basic motif is the dehumanization of the so-called civilization and its destructive effect on the relationships between man and nature, man and society, man and man as well that between two sexes. Despite his occasional hesitations and escapes, even his extreme and irrational deviations in the course of all his unsuccessful struggles and quests, the novelist left behind him much scope for reflection and more hope.