广西师范大学学报：哲学社会科学版
廣西師範大學學報：哲學社會科學版
엄서사범대학학보：철학사회과학판
Journal of Guangxi Normal University(Philosphy and Social Science Edition)
2011年
6期
59~63
,共null页
宋代诗学 “响”字 诗眼 “活法” 意境
宋代詩學 “響”字 詩眼 “活法” 意境
송대시학 “향”자 시안 “활법” 의경
poetic theory of Song Dynasty; ＇xiang＇ （响）; poetic keyword; ＇huo fa＇ ; artistic conception
宋人论诗，极重字“响”。“响”字说随着宋代诗学的发展经历了三个阶段：潘大临的诗眼与“死响”，叶梦得、吕本中、姜夔的“活法”与“活响”，魏庆之、严羽、方回的意境与“声调之响”。“响”字说既关注诗歌局部诗眼的锤炼，又注重诗歌整体意境的开拓，还成为指导宋诗走向成熟的理论因素之一，具有很强的理论指导意义。
宋人論詩，極重字“響”。“響”字說隨著宋代詩學的髮展經歷瞭三箇階段：潘大臨的詩眼與“死響”，葉夢得、呂本中、薑夔的“活法”與“活響”，魏慶之、嚴羽、方迴的意境與“聲調之響”。“響”字說既關註詩歌跼部詩眼的錘煉，又註重詩歌整體意境的開拓，還成為指導宋詩走嚮成熟的理論因素之一，具有很彊的理論指導意義。
송인론시，겁중자“향”。“향”자설수착송대시학적발전경력료삼개계단：반대림적시안여“사향”，협몽득、려본중、강기적“활법”여“활향”，위경지、엄우、방회적의경여“성조지향”。“향”자설기관주시가국부시안적추련，우주중시가정체의경적개탁，환성위지도송시주향성숙적이론인소지일，구유흔강적이론지도의의。
The Song poets attached much importance to the character ＇Xiang＇ （响） when discussing poetry. With the development of poetry in Song Dynasty, the theory of ＇Xiang; went through three stages. first, the poetic keyword and the theory of ＇Si Xiang＇ by Pan Dalin; secondly, the theory of ＇huo fa‘ and ＇huo xiang＇ by Ye Mengde, Lv Benzhong and Jiang Kui; thirdly, the artistic conception and the theory of ＇xiang of tone’ by Wei Qingzhi, Yan Yu and Fang Hui. The theory of ＇Xiang; not only concerns the polishment of local poetry keyword, but emphasizes the extension of the overall poetic conception. Therefore, it became one of theoretical elements guiding Song poetry to grow mature.
