CAJ | 학술논문

威廉·布莱克接受了多神论向一神论过渡的观点,同时倡导从一神论向泛神论的回归,并在这种逃逸中寻找诗歌的灵感,通过大量含混的诗歌修辞构建出复杂的多重意义体系,并在深层结构中将二元对立中的主从关系进行了颠覆与解构,颂扬有差别的具体神性,属于后一神时代的泛神论,体现出谨慎的建构特征。布莱克诗歌中动植物意象的泛神主义解读,暗示并激发了诗歌中具有前瞻与预言性质的独特诗性逻辑,对于现代主义诗歌产生了深刻的影响。
위렴·포래극접수료다신론향일신론과도적관점,동시창도종일신론향범신론적회귀,병재저충도일중심조시가적령감,통과대량함혼적시가수사구건출복잡적다중의의체계,병재심층결구중장이원대립중적주종관계진행료전복여해구,송양유차별적구체신성,속우후일신시대적범신론,체현출근신적건구특정。포래극시가중동식물의상적범신주의해독,암시병격발료시가중구유전첨여예언성질적독특시성라집,대우현대주의시가산생료심각적영향。
While accepting the inevitable transition from polytheism to monotheism,William Blake advocated its subversive return,and found in this escape the clues to construct his poetic images.His poems built with poetic ambiguity a complex multiple-meanings system featuring the deconstruction of the traditional master-slave relationship between images to emphasize the variety of Devine characters.As a result,the animal and plant images in his poetry could be interpreted according to his unique pantheistic doctrine,suggesting a prophecy and foreseeing nature which has a profound impact for poetic modernism.