CAJ | 학술논문

僧侣诗人的用韵往往会有出韵的表现而显得比较特别,这些出韵的表现常常是诗人受自己方音影响的结果。对唐末僧侣诗人贯休的诗歌用韵情况做穷尽式地考察,并参照《广韵》独用、同用的规定,统计其韵部通押的各种情况和通押比例,归纳出其诗歌的韵部。同时,就所得的韵部与中唐26部诗韵,晚唐僧侣15部韵以及宋代通语18部词韵的异同点进行了探讨。重点是结合相关历史文献以及诗人的方言,对诗人用韵中的出韵、特韵现象进行了讨论。结果表明这些特韵通押是有方言语音基础的,它们是诗人方音的流露,说明了僧侣诗人用韵常有以方音入韵的事实。
승려시인적용운왕왕회유출운적표현이현득비교특별,저사출운적표현상상시시인수자기방음영향적결과。대당말승려시인관휴적시가용운정황주궁진식지고찰,병삼조《엄운》독용、동용적규정,통계기운부통압적각충정황화통압비례,귀납출기시가적운부。동시,취소득적운부여중당26부시운,만당승려15부운이급송대통어18부사운적이동점진행료탐토。중점시결합상관역사문헌이급시인적방언,대시인용운중적출운、특운현상진행료토론。결과표명저사특운통압시유방언어음기출적,타문시시인방음적류로,설명료승려시인용운상유이방음입운적사실。
The monk poets＇ poetry rhyming is always special because of the phenomenon of chuyun,which is the result of the influences of the poets＇ dialects.Analyzing Guan Xiu＇s rhyming in his poetry from the common system,the author has counted all kinds of patterns of his poetry rhyming reference to the regulation of《Guangyun》＇Duyong,Tongyong.In addition,th is paper has discussed the similarities and dissimilarities of 26 categories of poetry rhymes in the middle Tang Dynasty,15 categories of the monk poetry rhymes in late Tang Dynasty and 18 categories of standard words rhymes in Song Dynasty.The main point is that the author has demonstrated the special rhyming phenomenon of Guan Xiu＇ poetry reference to some related historical records and poet＇s dialect.The result shows that these special rhymings have a dialect foundation,and the reflection of the poet＇s dialect,which illustrates the fact that the monk poets would rhyme with their dialects,couldn＇t be affected by the Gong Ling.