CAJ | 학술논문

尼采认为，悲剧的神韵在于“权力意志”的客观化以及由其客观化而形成的融日神因素与酒神因素为一体的个别形象的毁灭和由此而唤起的本原生命的回归。如果说“日神一酒神说”的底蕴乃是戴着日神面具歌唱的酒神式咏叹，那么尼采代酒神立言的哲学行动就是披着黑格尔外衣舞蹈的叔本华式狂欢。直面以生命的委颓为主要精神表征的西方近现代文化危机，尼采试图在黑格尔与叔本华的运思张力下寻索生命自救的蹊径。但是，尼采所期待的“权力意志”从一开始就被他拔除了善的根菱，缘此，他那单纯地张扬生命强力的“权力意志”终竟因着缺少“境界”之光的烛照而使人自陷于“命运”的罗网却无从使人获得终极的拯救。
니채인위，비극적신운재우“권력의지”적객관화이급유기객관화이형성적융일신인소여주신인소위일체적개별형상적훼멸화유차이환기적본원생명적회귀。여과설“일신일주신설”적저온내시대착일신면구가창적주신식영우，나요니채대주신립언적철학행동취시피착흑격이외의무도적숙본화식광환。직면이생명적위퇴위주요정신표정적서방근현대문화위궤，니채시도재흑격이여숙본화적운사장력하심색생명자구적혜경。단시，니채소기대적“권력의지”종일개시취피타발제료선적근릉，연차，타나단순지장양생명강력적“권력의지”종경인착결소“경계”지광적충조이사인자함우“명운”적라망각무종사인획득종겁적증구。
Nietzsche claims that tragedy lies in the will to power which blends Apollo and Dionysus, the two gods in masks, or Shopenhauer carnival in Hegel appearance. Nietzsche attempts to use Hegel and Shopenhauer to approach the life rescue, thus facing directly the decay of life that is expressed in the mod- ern cultural crisis in the west. However, all virtues are deprived from the very beginning in the will to power, so that no one can be ultimately saved from the destiny.