文艺理论研究
文藝理論研究
문예이론연구
Theoretical Studies In Literature and Art
2012年
1期
128~137
,共null页
公共领域 乌托邦想象 国家叙述 新小说 话语形构
公共領域 烏託邦想象 國傢敘述 新小說 話語形構
공공영역 오탁방상상 국가서술 신소설 화어형구
public sphere Utopian imagination national narrative new fiction discursive formation
本文旨在分析晚清乌托邦小说作为一个＂话语形构＂的产生过程,讨论生产这个＂乌托邦话语＂的操作模式：＂公共领域＂与文艺报刊的关系。瓦格纳（Rudolf Wagner）依据近代中国历史语境,重新厘定哈贝马斯（Jurgen Habermas）＂公共领域＂的概念,敏锐地指出近代中国公共领域的结构是由上层（清廷）至下层（平民）所组成。依据上述的理论框架,本文讨论晚清乌托邦小说是如何作为一种舆论工具,连同文艺报刊是如何作为舆论平台的问题。本文以《月月小说》及《竞立社小说月报》出版的乌托邦小说为研究对象,分析它们与清廷上层对话的关系。由此展示＂新中国＂是如何在叙述过程之中成为一个被建构的概念。这种展示舆论的生产过程,将成为研究晚清＂乌托邦话语＂形成之另一途径。
本文旨在分析晚清烏託邦小說作為一箇＂話語形構＂的產生過程,討論生產這箇＂烏託邦話語＂的操作模式：＂公共領域＂與文藝報刊的關繫。瓦格納（Rudolf Wagner）依據近代中國歷史語境,重新釐定哈貝馬斯（Jurgen Habermas）＂公共領域＂的概唸,敏銳地指齣近代中國公共領域的結構是由上層（清廷）至下層（平民）所組成。依據上述的理論框架,本文討論晚清烏託邦小說是如何作為一種輿論工具,連同文藝報刊是如何作為輿論平檯的問題。本文以《月月小說》及《競立社小說月報》齣版的烏託邦小說為研究對象,分析它們與清廷上層對話的關繫。由此展示＂新中國＂是如何在敘述過程之中成為一箇被建構的概唸。這種展示輿論的生產過程,將成為研究晚清＂烏託邦話語＂形成之另一途徑。
본문지재분석만청오탁방소설작위일개＂화어형구＂적산생과정,토론생산저개＂오탁방화어＂적조작모식：＂공공영역＂여문예보간적관계。와격납（Rudolf Wagner）의거근대중국역사어경,중신전정합패마사（Jurgen Habermas）＂공공영역＂적개념,민예지지출근대중국공공영역적결구시유상층（청정）지하층（평민）소조성。의거상술적이론광가,본문토론만청오탁방소설시여하작위일충여론공구,련동문예보간시여하작위여론평태적문제。본문이《월월소설》급《경립사소설월보》출판적오탁방소설위연구대상,분석타문여청정상층대화적관계。유차전시＂신중국＂시여하재서술과정지중성위일개피건구적개념。저충전시여론적생산과정,장성위연구만청＂오탁방화어＂형성지령일도경。
This paper takes the utopian fiction in Late Qing Dynasty as a discursive formation,and investigates its production and operational mode of the utopian discourse.The paper examines how literary journals and newspapers served as a channel for the operation of the utopian discourse in the Chinese public sphere.By revising Habermas＇s notion of the public sphere,Rudolf Wagner is able to redefine Chinese public sphere and discovers that the structure of Chinese public sphere is constructed by the top and the bottom strata of the society.In light of Wagner＇s theorization,the paper takes the utopian novels as a form of public opinion and the literary journals and newspapers as a media of public sphere.The paper singles out two fiction journals,Monthly Fiction and Racing Independent Club Fiction Monthly,as the object of study,and examines the vertical relationship between the utopian novels published and the Qing court.The paper demonstrates how the imagination of a future China is represented in these utopian fictional writings as a constructed concept,and concludes that the production of the public opinion can become a new approach to study the formation of utopian discourse in Late Qing Dynasty.
