CAJ | 학술논문

以往对默多克的代表作《大海啊,大海》的分析倾向于认为主人公查尔斯像默多克其他作品中的主人公一样,在经历了种种偶然性事件之后逐渐接近了善这一理念。本文从法国哲学家列维纳斯的理论出发解读这部作品,从主人公对待时间、女性和他人之死的态度上细致分析了其与他者的关系,得出了不同的结论,认为默多克对人向善的能力产生了更大的疑问,对追求途径的复杂性做了更为形象的描摹,在思想和作品形式上更加趋于成熟。
이왕대묵다극적대표작《대해아,대해》적분석경향우인위주인공사이사상묵다극기타작품중적주인공일양,재경력료충충우연성사건지후축점접근료선저일이념。본문종법국철학가렬유납사적이론출발해독저부작품,종주인공대대시간、녀성화타인지사적태도상세치분석료기여타자적관계,득출료불동적결론,인위묵다극대인향선적능력산생료경대적의문,대추구도경적복잡성주료경위형상적묘모,재사상화작품형식상경가추우성숙。
Many interpretations of The Sea,the Sea by Iris Murdoch tend to assume that the protagonist Charles,like many other protagonists in her other novels,grasps the essence of good after all the happenings in the novel.An opposite opinion is expounded here by adopting a Levinasian perspective.This article analyzes the relationship between Charles and other in terms of his attitudes towards concepts like time,feminine and death of other,nuancing the author＇s doubt over man＇s ability to pursue good and the difficulty one may encounter on the path to good.A more mature author is thus revealed.