CAJ | 학술논문

一般以为，鲁迅《起死》的文体袭自巴罗哈的《少年别》。实际上，它深受来自前叙事——明清庄子“叹骷髅”戏的影响。因为《少年别》可视为拟戏剧的“对话体”，它是现实主义理论的产物；而《起死》却多有超越，是一部荒诞有趣的游戏“闹剧”。作品对“叹骷髅”戏的重构过程，也是鲁迅化腐朽为神奇的艺术创造，《起死》也得以成为一部融合了写实性、游戏性与荒诞性于一体的现代戏剧体寓言小说。
일반이위，로신《기사》적문체습자파라합적《소년별》。실제상，타심수래자전서사——명청장자“우고루”희적영향。인위《소년별》가시위의희극적“대화체”，타시현실주의이론적산물；이《기사》각다유초월，시일부황탄유취적유희“료극”。작품대“우고루”희적중구과정，야시로신화부후위신기적예술창조，《기사》야득이성위일부융합료사실성、유희성여황탄성우일체적현대희극체우언소설。
The genre of Lu Xun＇ s Resurrect the Dead is generally considered as borrowed from PioBaroja＇ s ＂adios a la bohemia＂. But actually, it has deeply influenced by its previous narration, 1. e. , the drama of Zhuang Zi＇ s ＂Sighing on the Skeleton＂ in the Ming and Qing Dynasties. Because the adios a la bo- hemia can be considered as a simulated drama ＂dialogue style＂, which is a creation of the realistic theory, while the Resurrect the Dead is a absurd and interesting farce with many surpasses. The process of its recon- struction of ＂Sighing on the Skeleton,＂ is just Lu Xun＇ s artistic innovation of turning the rotten into a miracle, thus to make Resurrect the Dead a modern drama style allegoric fiction mixed together the reality, playability and absurdity .