CAJ | 학술논문

朱光潜先生在其著名的《谈美》中对英国美学家、艺术批评家约翰·罗斯金的美学观提出了批评，认为罗斯金混淆了美感与快感，过于强调艺术对自然的刻意模仿。但如果对罗斯金的著作作更全面的了解，我们会发现朱光潜对罗斯金的批评在某种程度上有失公正，他的批评对国内读者了解一个真实的罗斯金容易产生一些负面影响。罗斯金的“典型美”和“生命美”等美学理论是他界定“美感”的核心依据。在对待自然与艺术的关系上，罗斯金并非像朱光潜所批评的认为艺术家应该对自然不加任何选择，而是强调其想象力的参与。
주광잠선생재기저명적《담미》중대영국미학가、예술비평가약한·라사금적미학관제출료비평，인위라사금혼효료미감여쾌감，과우강조예술대자연적각의모방。단여과대라사금적저작작경전면적료해，아문회발현주광잠대라사금적비평재모충정도상유실공정，타적비평대국내독자료해일개진실적라사금용역산생일사부면영향。라사금적“전형미”화“생명미”등미학이론시타계정“미감”적핵심의거。재대대자연여예술적관계상，라사금병비상주광잠소비평적인위예술가응해대자연불가임하선택，이시강조기상상력적삼여。
In his famous work On Beauty, Mr. Zhu Guangqlan criticized the aesthetic theory ot John Ruskin, a British aesthetician and art critic, considered him as mixing up the sense of beauty and the sense of pleasure, and over emphasizing the intended imitation of art to the nature. However, if we have a thorough understanding of Ruskin＇ s work, we may find that Zhu Guangqian＇ s criticism is unfair in a sense, and has left some negative influence on domestic readers＇ understanding of a true Ruskin. ＂The beauty of typical im- age＂ and ＂the beauty of life＂ are Ruskin＇ s core basis in defining ＂the sense of beauty＂. In terms of the rela- tion between nature and art, Ruskin does not think that artists should imitate nature without selection as alleg- ed by Zhu Guangqian, but emphasizes artists＇ imagination and participation.