CAJ | 학술논문

如果从时间、空间和文化三个维度考察张翎的长篇小说《金山》,可以发现,张翎有着独特的写作策略即重点刻画过去和现今杂糅、原乡和异乡融合、文化延续却不断杂交变化而产生的离散身份,这一写作策略也反映了包括张翎在内的海外华文作家试图摆脱身份上＂非此/即彼＂的两难选择和＂既非/也非＂的尴尬现状,努力建构杂交的、世界性的身份属性的写作诉求。
여과종시간、공간화문화삼개유도고찰장령적장편소설《금산》,가이발현,장령유착독특적사작책략즉중점각화과거화현금잡유、원향화이향융합、문화연속각불단잡교변화이산생적리산신빈,저일사작책략야반영료포괄장령재내적해외화문작가시도파탈신빈상＂비차/즉피＂적량난선택화＂기비/야비＂적감개현상,노력건구잡교적、세계성적신빈속성적사작소구。
This paper analyzes the three dimensions of time,space and culture in Zhang Ling＇s novel Gold Mountain Blues,with a view to that Zhang Ling applied the writing strategy of depicting the diasporic identity which generated from the blending of the past and the present,the native land and the ＂other＂ land,as well as an inheriting yet changing,hybrid culture.This strategy reveals Zhang Ling＇s writing pursuit of constructing a hybrid,worldwide identity to overcome the awkward situation of being ＂either Chinese or Canadian＂ or ＂neither Chinese nor Canadian＂