CAJ | 학술논문

立足于＂新疆＂和＂兵团＂这一双重的集体身份,文革时期的新疆兵团美术,承接新中国成立初17年对自身创作资源、创作特色的初步探索,在文革政治导向下,对英雄人物的塑造、部队官兵的刻画、群众生活的描绘,进行了更为自觉的挖掘和表现,形成了特定的创作类型和样式,潜在地影响到文革后新疆兵团美术的发展。
립족우＂신강＂화＂병단＂저일쌍중적집체신빈,문혁시기적신강병단미술,승접신중국성립초17년대자신창작자원、창작특색적초보탐색,재문혁정치도향하,대영웅인물적소조、부대관병적각화、군음생활적묘회,진행료경위자각적알굴화표현,형성료특정적창작류형화양식,잠재지영향도문혁후신강병단미술적발전。
Based on the double identity of Xinjiang and Bingtuan,the fine arts of Bingtuan in the period of the Great Cultural Revolution carried on the preliminary exploration of its own creation resources and creation characteristics since 1949.Guided by the then political policies,more conscious efforts were made to mold heroes and depict the soldiers and the life of general masses.Particular patterns of creation and styles took place,which exerted potential influences on the development of fine arts in Xinjiang Bingtuan after the Great Cultural Revolution.