CAJ | 학술논문

通过梳理1920年代以降数十部文学史著作,可以围绕新诗首创问题,考察、研究胡适形象在中国现代文学史中的演变。民国文学史大都从晚清＂诗界革命＂与白话新诗的联系角度,阐释胡适新诗的价值与意义,将胡适定位为新诗首创者;1949年之后,文学史从新型话语生产需要出发,以＂阶级论＂和＂题材决定论＂为策略对胡适形象进行反向塑造;改革开放之后,文学史书写日渐回归学术立场,多在诗歌史意义上肯定胡适新诗倡导与实验的价值,其形象开始被矫正,尤其是1990年代以后,得到了更富历史性与学理性的言说。
통과소리1920년대이강수십부문학사저작,가이위요신시수창문제,고찰、연구호괄형상재중국현대문학사중적연변。민국문학사대도종만청＂시계혁명＂여백화신시적련계각도,천석호괄신시적개치여의의,장호괄정위위신시수창자;1949년지후,문학사종신형화어생산수요출발,이＂계급론＂화＂제재결정론＂위책략대호괄형상진행반향소조;개혁개방지후,문학사서사일점회귀학술립장,다재시가사의의상긍정호괄신시창도여실험적개치,기형상개시피교정,우기시1990년대이후,득도료경부역사성여학이성적언설。
This paper investigates the evolution of the image of Hu Shi by way of sorting out dozens of works of literary history since the 1920s.In the literary history of the Republic of China,Hu Shi is looked upon as the first advocate of new poems for Hu Shi is closely related with the new poems.After 1949,Hu Shi is criticized because of ＂class struggle＂ and ＂determinism of subject matter＂.After the reform and opening up in 1978,literary history returns to its academic track,so Hu Shi’s value in the new poems is recognized and his image is corrected.After 1990,he is expounded more historically and academically.