CAJ | 학술논문

庐山是中国山水文化的历史缩影。自东晋以来,历代文人骚客创作出了浩如烟海的吟咏庐山自然生态的作品。这些诗歌,其内容之丰富、形式之多样,令人叹为观止。然而,每个诗人在欣赏庐山的自然生态之时,均从自身的社会地位、政治得失、仕途沉浮或个人嗜好等因素出发,或寄寓怀抱,或抒发情感,或褒贬时弊,其作品思想深处与自然生态天然地产生了某种深厚的个人情结。
려산시중국산수문화적역사축영。자동진이래,역대문인소객창작출료호여연해적음영려산자연생태적작품。저사시가,기내용지봉부、형식지다양,령인우위관지。연이,매개시인재흔상려산적자연생태지시,균종자신적사회지위、정치득실、사도침부혹개인기호등인소출발,혹기우부포,혹서발정감,혹포폄시폐,기작품사상심처여자연생태천연지산생료모충심후적개인정결。
Mt. Lushan is Chinese landscape culture in miniature. Since the Eastern Jin Dynasty, scholars and poets of the past dynasties have created tremendous amount of works intoning the natural ecology of Mt. Lushan. These poems are second to none in terms of their abundance in contents and diversity in forms. However, when the poets are appreciating the natural ecology of Mt. Lushan, they start from such factors as their own social status, success and failures in politics, ups and downs in their official careers or their personal hobbies, implying their ambitions, or expressing their feelings, or appraising malpractice of their times. Some profound personal complex naturally generates from the depth of their works and natural ecology.