CAJ | 학술논문

经典的绘画作品感染并打动观众，是通过视觉这一感官体验来完成的。因此，在今天展览越来越多、展厅越来越大的情况下，有一些人从简单的视觉体验出发，使“视觉冲击力”这一曾经只运用于设计领域的词汇，在绘画中泛滥，进而波及工笔画领域。文章根据中国传统工笔画的品评标准，结合现代工笔画的绘画创作实践，分析视觉冲击力与经典的工笔画之间的矛盾与联系：经典的工笔画具有一定的视觉冲击，但是具有“视觉冲击力”的工笔画不一定就是经典的画作，真正的经典作品必须具有崇高的审美本质，在经过岁月的检验后，才能焕发出像珍珠一样夺目的光彩。
경전적회화작품감염병타동관음，시통과시각저일감관체험래완성적。인차，재금천전람월래월다、전청월래월대적정황하，유일사인종간단적시각체험출발，사“시각충격력”저일증경지운용우설계영역적사회，재회화중범람，진이파급공필화영역。문장근거중국전통공필화적품평표준，결합현대공필화적회화창작실천，분석시각충격력여경전적공필화지간적모순여련계：경전적공필화구유일정적시각충격，단시구유“시각충격력”적공필화불일정취시경전적화작，진정적경전작품필수구유숭고적심미본질，재경과세월적검험후，재능환발출상진주일양탈목적광채。
The audiences were impressed when they watched the Classic paintings. This impression is based on visual. With the development of the present condition （for example ： the exhibitions of fine brush painting are increasing, the exhi- bition halls are growing）, some people think that the key of the creation is visual impact, however visual impact which was mooted only in the design field. In This paper, I analyze that the relationship between visual impact and classical painting. The analysis is based on the aspects of the traditional standard and the new educational ideas in the fine brush painting field. At last, the paper reaches the following conclusion that classical painting indeed must be based on aesthetics and it was inspected in history.