文艺理论研究
文藝理論研究
문예이론연구
Theoretical Studies In Literature and Art
2012年
4期
100~105
,共null页
隐含作者 真实作者 诠释的准则
隱含作者 真實作者 詮釋的準則
은함작자 진실작자 전석적준칙
implied author real author criteria of interpretation
"隐含作者"的概念从布思开始提出,就受到批评家的持续关注。不同批评家对之赋予了截然不同的含义,包括视之为真实作者的"第二自我"和纯粹从文本推断出的假定作者形象。作者在本文中一方面论证了隐含作者不是真实作者的有意识创造,也不是其第二自我。另一方面,作者试图借助对艾柯的文本诠释理论的引申和修正,提出"隐含作者"概念的一个可能解释。此外,作者认为,虽然真实作者不能作为文本意义的来源,但仍然在文本诠释中起着不可忽略的作用。
"隱含作者"的概唸從佈思開始提齣,就受到批評傢的持續關註。不同批評傢對之賦予瞭截然不同的含義,包括視之為真實作者的"第二自我"和純粹從文本推斷齣的假定作者形象。作者在本文中一方麵論證瞭隱含作者不是真實作者的有意識創造,也不是其第二自我。另一方麵,作者試圖藉助對艾柯的文本詮釋理論的引申和脩正,提齣"隱含作者"概唸的一箇可能解釋。此外,作者認為,雖然真實作者不能作為文本意義的來源,但仍然在文本詮釋中起著不可忽略的作用。
"은함작자"적개념종포사개시제출,취수도비평가적지속관주。불동비평가대지부여료절연불동적함의,포괄시지위진실작자적"제이자아"화순수종문본추단출적가정작자형상。작자재본문중일방면론증료은함작자불시진실작자적유의식창조,야불시기제이자아。령일방면,작자시도차조대애가적문본전석이론적인신화수정,제출"은함작자"개념적일개가능해석。차외,작자인위,수연진실작자불능작위문본의의적래원,단잉연재문본전석중기착불가홀략적작용。
Ever since its proposition by Wayne Booth, the concept of "implied author" has been drawing constant attention among literary critics. The term has been attributed different, and even competing, meanings, including "the second self" of the real author and the assumed image of the author inferred purely from the text. This paper on the one hand argues that the implied au- thor is neither the conscious creation of the real author nor his/her second self. On the other hand, the paper attempts to propose a more possible interpretation for the "implied author," based on a derivation and revision of Eco' s theory of textual interpreta- tion. Moreover, the paper argues that, though the real author cannot serve as the source for the interpretation of the text, it is still an indispensible element in textual interpretation.