CAJ | 학술논문

鲁迅与（审美）游戏学说关系密切。他翻译与引进了游戏理论，关注余裕理念；对《故事新编》创作中“油滑”现象认定上的自我矛盾与犹疑，折射出鲁迅对于文学游戏的自觉与警醒。小说史研究中的理论立场，显豁地表明鲁迅对游戏理论独特审美价值的深刻洞悉及运用该理论介入文本批评的理论自觉。鲁迅所谓“天马行空似的大精神”其实就是一种强烈的游戏精神，游戏精神给他的审美选择与文学创造带来不可忽视的影响。
로신여（심미）유희학설관계밀절。타번역여인진료유희이론，관주여유이념；대《고사신편》창작중“유활”현상인정상적자아모순여유의，절사출로신대우문학유희적자각여경성。소설사연구중적이론립장，현활지표명로신대유희이론독특심미개치적심각동실급운용해이론개입문본비평적이론자각。로신소위“천마행공사적대정신”기실취시일충강렬적유희정신，유희정신급타적심미선택여문학창조대래불가홀시적영향。
LU Xun has a close relation with （aesthetic） game theory. He translates and introduces game theory and focuses on margin theory; the self-contraction and hesitation in recognizing the ＂cunning＂ phenomenon in New Edition of the Tales reflects the self-consciousness and alertness of LU Xun towards literary games. The theoretical stand in study of novel history clears shows that LU Xun has profound insight of the peculiar aesthetic value of game theory and the theoretical consciousness in the adoption of the theory into textual criticism. The so-called ＂Unrestrained and Vigorous Style＂ by LU Xun is an intense game spirit which influences his aesthetic choice and literary creation greatly.