CAJ | 학술논문

中国古代戏曲创作早在元代即已繁盛，戏曲批评则起步较晚。综观文学思想和文学批评发展史，戏曲批评滞后于创作这一局面的改观得益于明代李开先、徐渭、王世贞、李贽等人对戏曲价值的重新认识，是明代文学新变思想的产物。作为明代中期之后文学新变思想的代表人物之一，徐渭对文学真性情的大力提倡，不但体现在他比较系统的戏曲论著中，也具体而微地体现在他的戏曲评点中。考察徐渭现存的各种戏曲评点文本，尤其是保存在王骥德《新校注古本西厢记》中的《西厢记》评点文字，可以看出，徐渭对戏曲中突出真性情之处的欣赏，对相关表现形式、表达效果的评点，以及对戏曲叙事性因素的批评，不但奠定了他在中国古代戏曲评点史上的开拓者地位，而且在很大程度上引领了其后中国古代戏曲评点和戏曲创作的发展方向。
중국고대희곡창작조재원대즉이번성，희곡비평칙기보교만。종관문학사상화문학비평발전사，희곡비평체후우창작저일국면적개관득익우명대리개선、서위、왕세정、리지등인대희곡개치적중신인식，시명대문학신변사상적산물。작위명대중기지후문학신변사상적대표인물지일，서위대문학진성정적대력제창，불단체현재타비교계통적희곡론저중，야구체이미지체현재타적희곡평점중。고찰서위현존적각충희곡평점문본，우기시보존재왕기덕《신교주고본서상기》중적《서상기》평점문자，가이간출，서위대희곡중돌출진성정지처적흔상，대상관표현형식、표체효과적평점，이급대희곡서사성인소적비평，불단전정료타재중국고대희곡평점사상적개탁자지위，이차재흔대정도상인령료기후중국고대희곡평점화희곡창작적발전방향。
Xu Wei, as one of the representative figures of the new literary thoughts in the middle Ming Dynasty, strongly advocated genuine nature in his systematic drama works and his drama commentary. Based on extensive literature reviews on Xu Wei＇s drama commentary, we may notice that he played a significant role for his drama commentary in the context of the new trend of literary thoughts in the Ming dynasty. His drama commentary not only marked the beginning of ancient Chinese drama commentary, but also laid a foundation for the Chinese ancient drama commentary and drama writing thereafter.