孝感学院学报
孝感學院學報
효감학원학보
JOURNAL OF XIAOGAN UNIVERSITY
2012年
4期
12~16
,共null页
孝 道 美
孝 道 美
효 도 미
filial piety; Tao; the aesthetic implication
孝的美学意蕴随着孝的内涵的变化而变化,孝的内涵又随着主体对孝的理解和践履的变化而变化。孝的起源和归宿都是“道”,孝源于“道”的现“象”,经由孝道合一、分离、复归的发展演进,孝的美学意蕴也呈现为从自然生成的本真之美到人为的世俗美,最终重拾自然本真的和谐美。
孝的美學意蘊隨著孝的內涵的變化而變化,孝的內涵又隨著主體對孝的理解和踐履的變化而變化。孝的起源和歸宿都是“道”,孝源于“道”的現“象”,經由孝道閤一、分離、複歸的髮展縯進,孝的美學意蘊也呈現為從自然生成的本真之美到人為的世俗美,最終重拾自然本真的和諧美。
효적미학의온수착효적내함적변화이변화,효적내함우수착주체대효적리해화천리적변화이변화。효적기원화귀숙도시“도”,효원우“도”적현“상”,경유효도합일、분리、복귀적발전연진,효적미학의온야정현위종자연생성적본진지미도인위적세속미,최종중습자연본진적화해미。
The aesthetic implication in filial piety changes with the change of its connotations which also vary as people' s understanding and practice of filial piety are different. The origin and destination of filial piety are Tao, or rather, filial piety proves to be a concrete reflection of Tao. With the evolution of their combination, separation and return, the aesthetic implication in filial piety generated from the natural real beauty becomes the man-made worldly beauty and ultimately has regained its natural harmonious beauty.