CAJ | 학술논문

19世纪美国浪漫主义作家纳桑尼尔·霍桑在现代社会伊始之期，形象地、寓言般地从不同视角展现了人与自然是统一整体的观念。他的三篇短篇小说《通天铁路》、《胎记》及《拉帕奇尼的女儿》，揭示了入主体性的过度扩张，对自然无所顾忌地加以掌控、掠夺、改造而造成的生态危机、生存危机，对人与自然关系的如此探索，艺术地表现了作者自然导向的强烈诉求，极大程度地与20世纪深层生态学的精神实质相契合。
19세기미국랑만주의작가납상니이·곽상재현대사회이시지기，형상지、우언반지종불동시각전현료인여자연시통일정체적관념。타적삼편단편소설《통천철로》、《태기》급《랍파기니적녀인》，게시료입주체성적과도확장，대자연무소고기지가이장공、략탈、개조이조성적생태위궤、생존위궤，대인여자연관계적여차탐색，예술지표현료작자자연도향적강렬소구，겁대정도지여20세기심층생태학적정신실질상계합。
Nathaniel Hawthorne, the American romantic writer of the 19th century, depicted the unity between man and nature in a vivid and fabulous way at the beginning of the modern so- ciety. Three of his short novels, i. e., ＂The Celestial Railroad＂, ＂Birthmark＂ and ＂Rappaccini ＇ s Daughter＂, reveal the overexpansion of man＇ s subjectivity, the eco-crisis and the existential crisis caused by man＇s over-control, plundering and reforming of nature. The explora- tion on the relationship between man and nature reflects the writer＇s nature-oriented strong ap- peal and fits the spirit of deep ecology of 20th century to a great extent.