国外文学
國外文學
국외문학
Foreign Literatures
2012年
4期
82~89
,共null页
温蒂娜 记忆形象 控诉 质疑与批判
溫蒂娜 記憶形象 控訴 質疑與批判
온체나 기억형상 공소 질의여비판
Undine, memorable image, accusation, doubt and criticism
作为文学形象，水妖“温蒂娜”同时也是一个“记忆形象”，奥地利女作家巴赫曼的短篇小说《温蒂娜走了》的创作即是以此为前提的。与包括德国浪漫文学作家富凯的小说《温蒂娜》在内的一切前文本不同，巴赫曼赋予了自己的温蒂娜一个“非同寻常”的女性视角和声音。在“他者”的视角下，人类社会的各种弊端暴露无遗，人们往日习以为常的事情和现象变得荒诞和怪异。
作為文學形象，水妖“溫蒂娜”同時也是一箇“記憶形象”，奧地利女作傢巴赫曼的短篇小說《溫蒂娜走瞭》的創作即是以此為前提的。與包括德國浪漫文學作傢富凱的小說《溫蒂娜》在內的一切前文本不同，巴赫曼賦予瞭自己的溫蒂娜一箇“非同尋常”的女性視角和聲音。在“他者”的視角下，人類社會的各種弊耑暴露無遺，人們往日習以為常的事情和現象變得荒誕和怪異。
작위문학형상，수요“온체나”동시야시일개“기억형상”，오지리녀작가파혁만적단편소설《온체나주료》적창작즉시이차위전제적。여포괄덕국랑만문학작가부개적소설《온체나》재내적일절전문본불동，파혁만부여료자기적온체나일개“비동심상”적녀성시각화성음。재“타자”적시각하，인류사회적각충폐단폭로무유，인문왕일습이위상적사정화현상변득황탄화괴이。
As a literary figure, water nymph Undine is also a memorable image. Austrian writer Ingeborg Bachmann＇s short story ＂Undine Goes＂ is based on that image. Unlike other Undine stories, including ＂Undine＂ by German romantic writer Friedrich de la Motte Fouque, Bachmann gives her own ＂Undine＂ a unique feminine voice and perspective. From an on-looker＇s viewpoint, the evils in the world of humans are exposed, and the things that are seen as normal become absurd. Undine＇s cries of accusation are not just a eomdemnation of a man called ＂Hans＂, who betrayed her, but also a rebellion against social order, mainstream ideology, and the values behind the literary image of ＂Undine＂.
