CAJ | 학술논문

当代叙事美学资源远未走向枯竭，相反，叙事审美作品的复杂、纠缠、含蓄的审美特性，有待于通过与当代不同媒介表达的比较分析获得更深刻和多样的阐释。经典的替换、补充、淘汰、更新是一种常态，而正是这种常态，需要叙事理论研究者对这种“常态”作出理论的回应和引导。
당대서사미학자원원미주향고갈，상반，서사심미작품적복잡、규전、함축적심미특성，유대우통과여당대불동매개표체적비교분석획득경심각화다양적천석。경전적체환、보충、도태、경신시일충상태，이정시저충상태，수요서사이론연구자대저충“상태”작출이론적회응화인도。
The contemporary narrative aesthetic resources are far from being exhausted, on the contra- ry, the rich complex, entangled, implicit aesthetic nature of narrative aesthetics works needs deeper and pluralistic interpretations through comparative analysis with other modern media expression. The substitu- tion, complement, elimination, and update of classics are a norm, however, it is just this norm that needs theoretical response and leading from the narrative theorists.