CAJ | 학술논문

刘勰对“言”能否“尽意”问题，持充分肯定意见，但他又非绝对的“言尽意”论者，这是《文心雕龙》“唯务折衷”思想方法的具体表现。其特出之处有二：一是既认识到语言文字在表情达意过程中的局限性，又看到了写作者之“情数诡杂”、文章体制之“体变迁贸”以及表现对象之“纤意曲变”等多种“变数”交织作用而造成的“言不尽意”问题；二是从写作实践出发，多方探讨了“言不尽意”困境之成因，如“理自难易”、“思无定检”、“采滥辞诡”等。
류협대“언”능부“진의”문제，지충분긍정의견，단타우비절대적“언진의”론자，저시《문심조룡》“유무절충”사상방법적구체표현。기특출지처유이：일시기인식도어언문자재표정체의과정중적국한성，우간도료사작자지“정수궤잡”、문장체제지“체변천무”이급표현대상지“섬의곡변”등다충“변수”교직작용이조성적“언불진의”문제；이시종사작실천출발，다방탐토료“언불진의”곤경지성인，여“리자난역”、“사무정검”、“채람사궤”등。
Liu Xie holds a positive opinion on whether the words he is not a firm supporter who argues that the language can express the can express the full and exact meaning. On the other hand, full and exact meaning, which is the expression of eclecticism in The Literary Mind and the Carving of the Dragon. First, he realizes not only the language＇ s restriction on meaning expression, but also the different variations＇ interwoven restrictions on meaning expression such as writers＇ intention, styles＇ flexibility, and objects＇ subtle changes, Second, he investigates various motivations leading to inaccurate meaning expression t~om different perspectives in the practice of writing.