CAJ | 학술논문

作者以观察者与实践者的身份，对加拿大地区的甘美兰项目的建立和发展进行研究。从跨文化互动的角度，介绍了甘美兰在加拿大温哥华的起源；同时，介绍了甘美兰与西方音乐文化的互动与混合的成果——新形式的甘美兰音乐；此外，比较并分析了在温哥华的两种甘关兰乐团——在学术背景下的甘美兰乐团和社区的甘美兰乐团。对甘美兰这种古老的印度尼西亚音乐传统在全球化背景下的变革与发展进行了总结。
작자이관찰자여실천자적신빈，대가나대지구적감미란항목적건립화발전진행연구。종과문화호동적각도，개소료감미란재가나대온가화적기원；동시，개소료감미란여서방음악문화적호동여혼합적성과——신형식적감미란음악；차외，비교병분석료재온가화적량충감관란악단——재학술배경하적감미란악단화사구적감미란악단。대감미란저충고로적인도니서아음악전통재전구화배경하적변혁여발전진행료총결。
As an observer and practitioner, the author has researched the establishment and development of the gamelan programs in North America and Canada. This paper introduces the origin of the gamelan in Vancouver, Canada and its new fruit under the background of the cross cultural interaction and hybridization. The comparison between the academic gamelan group and community gamelan group is also included in this paper. The author has also made comments on the reforms and development of gamelan in the context of globalization.