CAJ | 학술논문

上世纪80年代，刘纲纪先生在对机械、直观的唯物主义进行反思和批评的过程中提出和建构了实践本体论美学。他重新阐释了马克思主义实践观，把主客体共同参与的“实践”从认识论提到了本体论的高度，突破了主客二分的思维模式，超越了迄今仍然被某些学者坚持的未脱离旧唯物主义窠臼的物质本体论，不但对马克思主义实践美学具有重大的推进作用，而且对整个中国当代美学的建设和发展有着重要的意义。
상세기80년대，류강기선생재대궤계、직관적유물주의진행반사화비평적과정중제출화건구료실천본체론미학。타중신천석료마극사주의실천관，파주객체공동삼여적“실천”종인식론제도료본체론적고도，돌파료주객이분적사유모식，초월료흘금잉연피모사학자견지적미탈리구유물주의과구적물질본체론，불단대마극사주의실천미학구유중대적추진작용，이차대정개중국당대미학적건설화발전유착중요적의의。
In 1980s, Liu Gangji put forward and established practical ontological aesthetics as a result of reflection and critique of mechanistic and perceptual materialism. He reinterpreted the Marxist view of practice as that which is participated by both the subject and the object, and elevated practice from epistemological level to ontological level. In this way, his conceptualization surpassed the dichotomy between subject and object and transcended the material ontology in the track of old materialism which to this day is still followed by some scholars. Liu Gang Ji＇ s concept of practice not only initiated an advance in Marxist aesthetics of practicum but also played an important role in the establishment and development of contemporary Chinese aesthetics.