CAJ | 학술논문

从徐悲鸿和林风眠的艺术作品和艺术主张去考察，他们的审美趋向有所不同，甚至一些艺术观点不尽相同，但这并不表明他们的艺术追求就大相径庭。如果从他们的艺术主张的目的去考察则体现出明显的一致性：都提倡艺术与现实的结合，追求大众性的理解，并希望以西方绘画改造中国传统绘画的弊端，由此，徐悲鸿与林风眠的艺术追求则是殊途同归的。
종서비홍화림풍면적예술작품화예술주장거고찰，타문적심미추향유소불동，심지일사예술관점불진상동，단저병불표명타문적예술추구취대상경정。여과종타문적예술주장적목적거고찰칙체현출명현적일치성：도제창예술여현실적결합，추구대음성적리해，병희망이서방회화개조중국전통회화적폐단，유차，서비홍여림풍면적예술추구칙시수도동귀적。
An investigation of Xu Beihong＇ s and Lin Fengmian~ artistic works and opinions shows that they two differed not only in aesthetic taste but in artistic view. However, this doesn＇ t mean they stood pole apart in artistic pursuit. On the contrary, they showed prominent agreement in aim of artistic pursuit. Both of them advocated a combination of art and practice, pursued a public understanding and hoped to remove defects in traditional Chinese painting with the help of western painting. For this reason, Xu Beihong and Lin Fengmian pursued the same ~oal iust by different moeans.