CAJ | 학술논문

同为诺贝尔文学奖获得者的中国作家莫言和德国作家赫塔·米勒都以自己的乡土经验为主要创作源泉，大力开掘各自故土负载的历史创伤和苦难记忆，借助彼此迥异而强度相似的美学想象，构建出了与现实世界若即若离的文学空间。他们的乡土叙事无疑包含了一定的政治批判，但其魅力所在却是对残酷历史境遇中人类存在体验的特殊美学表达，其中折射出了文学自身对现实压迫和精神困境的反抗力量。他们书写的乡土图景从内容到形式都瓦解了19、20世纪的浪漫想象和革命叙事，对立于以城市诗学为表征的现代文明及现代美学，表现出对文明与野蛮交错的复杂人性的重新探问。在丰富多元的世界文学中，两位作家恰恰依仗经他们美学改造而意蕴深厚的乡土经验占有了特定的地位。
동위낙패이문학장획득자적중국작가막언화덕국작가혁탑·미륵도이자기적향토경험위주요창작원천，대력개굴각자고토부재적역사창상화고난기억，차조피차형이이강도상사적미학상상，구건출료여현실세계약즉약리적문학공간。타문적향토서사무의포함료일정적정치비판，단기매력소재각시대잔혹역사경우중인류존재체험적특수미학표체，기중절사출료문학자신대현실압박화정신곤경적반항역량。타문서사적향토도경종내용도형식도와해료19、20세기적랑만상상화혁명서사，대립우이성시시학위표정적현대문명급현대미학，표현출대문명여야만교착적복잡인성적중신탐문。재봉부다원적세계문학중，량위작가흡흡의장경타문미학개조이의온심후적향토경험점유료특정적지위。
Although the two winners of the Nobelprize for literature, Mo Yan and Herta MUller seem to be totally contrasting authors, but their works show some kind of significant commonness： Both of them create a literary space of the countryside out of their rural experiences in the childhood. This article argues that this commonness refers to their historical critical reflexion about the power struckture of an authoritative state and that they share a strong tendence to expose the sufferings of their people by choosing an individual surrealistical style which may make them quite different from each other. And the article tries to check this issue in the relationship with the unique context of the literary tradition in Germany and China in the twentieth Century. With this as background, one can see how both authors break the romantic and revolutionary narration of the land and reach a new level of the rural literature after G. Mdrquez and W.C. Faulkner as a special form of worldliterature.