CAJ | 학술논문

早期游荡者是19世纪巴黎的产物,他们对现代性有一种欢呼的心态与强大的自信,寻求着＂现代生活中史诗性的一面＂;波德莱尔定义的游荡者是一个创造自己美学世界的君王,在自我的消散与凝聚中摇摆;本雅明塑造的游荡者以怀旧为主导性姿态,又身不由己地卷入商业文化;消费时代以来,游荡者概念渐趋被＂游荡性＂取代。概而言之,存在着一个以都市审美为核心的游荡者概念圈：最里层的是＂漫游者的崇高偶像＂,最外层的是处于游荡状态的都市人,中间则是由工业城市向消费城市转变过程中由于对立面的变化而产生的由私人性游荡者向公众性游荡者转变的文人群,他们承受着诗意激情与生存困顿的持续冲突,并不断发生转变。贯穿三者的是＂不断寻求新的感觉、空间与风格＂的游荡性。
조기유탕자시19세기파려적산물,타문대현대성유일충환호적심태여강대적자신,심구착＂현대생활중사시성적일면＂;파덕래이정의적유탕자시일개창조자기미학세계적군왕,재자아적소산여응취중요파;본아명소조적유탕자이부구위주도성자태,우신불유기지권입상업문화;소비시대이래,유탕자개념점추피＂유탕성＂취대。개이언지,존재착일개이도시심미위핵심적유탕자개념권：최리층적시＂만유자적숭고우상＂,최외층적시처우유탕상태적도시인,중간칙시유공업성시향소비성시전변과정중유우대립면적변화이산생적유사인성유탕자향공음성유탕자전변적문인군,타문승수착시의격정여생존곤돈적지속충돌,병불단발생전변。관천삼자적시＂불단심구신적감각、공간여풍격＂적유탕성。
Early flaneur is the product of the nineteenth century Paris. Seeking the epic side of modem life, they celebrated the coming of modernity. To Baudelaire, Flaneur was defined as a king who created an aesthetic world for himself. Benjamin＇s definition of flaneur was marked by nostalgia, and finally, they transformed into commercial culture involuntarily. Since the Consumption Age, the concept of Flaneur, with the Flanerie being ＂seeking for new feeling, space and style＂ as the core, formed a triple concept circle revolving around ＂the classical flancur＂： Locating at the innermost layer is the classical flaneur, at the outermost layer is the urbanite hanging out on the street, and in the middle of the circle is the ＂men of letters＂ changing flaneur thanks to the transformation from industrial city to consumption city tween poetic passion and hardship of surviveal. from the personal flaneur to the public They endure the continuous conflict between poetic passion and hardship of surviveal.